The Jesus & Mary
Chain were one of the first "older" bands that I was
introduced to in high school, and yet after hunting down several of
their albums, I lost interest. Psychocandy
may be novel, but Darklands
is the only album I still listen to regularly. They always had a
rather crass and debauched side to them, and over time that
increasingly bothered me. When they reformed and played at Levitation
in 2015, I had a passing interest, but they were doing one
of those full-album shows for Psychocandy
and I just wasn't sold on it. But with a new album in tow, I figured
it was finally worth giving them a chance.
Artist: The Jesus &
Mary Chain
Venue: Astra Kulturhaus
Location: Berlin,
Germany
Date: 12 October 2017
Opening Act: Cold Cave
Setlist (with some help
from here):
01. Amputation
01. Amputation
02. Happy When It Rains
03. Head On
04. Always Sad (with
Bernadette Denning)
05. Black and Blues
06. Mood Rider
07. April Skies
08. Between Planets
09. Snakedriver
10. Teenage Lust
11. Cherry Came Too
12. All Things Pass
13. Some Candy Talking
14. Halfway to Crazy
15. Darklands
16. Reverence
First Encore:
17. Just Like Honey
(with Bernadette Denning)
18. Cracking Up
19. In a Hole
20. War on Peace
Second Encore:
21. Sidewalking
22. I Hate Rock 'n'
Roll
When Cold Cave
hit the stage, the venue was still quite sparsely populated, so I got
up close despite the loud volume. They
matched
their retro synthpop/darkwave sound with
a stark look emphasized by heavy shadows and white
light. It was hard to tell what was pre-programmed, what was
synthesized on the spot, and what was the result of heavily treated
guitar and drums. I liked their use of effects, but it did make me
wonder what exactly I was hearing. Their uptempo, danceable songs
sometimes sounded a bit too much like New Order, except that it continually seemed like there was a melody
or something in the high end that was missing. It's possible that the
problem was just that the mix was poor, especially since it seemed
like the keyboardist's backing vocals were mostly inaudible.
[Cold Cave.]
The new album from The
Jesus & Mary Chain, Damage
and Joy, isn't
particularly notable except that it sounds a lot like their classic
work, despite being released about 19 years after their previous
album. I admittedly had only marginal interest in seeing the new
songs live, but they largely fit in right alongside the older ones.
The most bizarre part was that Jim Reid sounded identical to his
younger self from 30 years before. Also strange was that Jim sang all
of the songs, even the ones that William Reid had sung on record.
Meanwhile, William stuck to the shadows with his guitar, and Jim
didn't even touch an instrument. Drummer Brian Young, bassist Phil
King, and rhythm guitarist Mark Crozer rounded out the band, although
none of them retreated from the shadows.
I was concerned about
the quality of the performance after I caught a few stumbles by
William and Young in the first few songs. However, they quickly hit a
stride and pumped out some solid tunes. Not every one of their songs
was a winner, but they mostly kept to the better half of their
catalog. Only a couple of their choices reminded me of their less
appealing side (e.g. "Teenage Lust"). Furthermore, it
seemed that the band share my feelings about their career peak: they
played four numbers from Darklands,
more than any other album except their latest.
Their
lyrics have never been particularly strong, but sometimes (as with
"Darklands" or "April Skies") they get a
combination of mood, melody, and music together to make something
affecting. Their best songs might just be a combination of 60s
bubblegum pop and heavy distortion, but sometimes that just works.
There were also a few successful exceptions, like the dense, swampy,
extended "Reverence".
Thankfully,
the band didn't live up to their reputation of being antagonistic and
short-tempered. There were no drunken brawls and it was not just a
brief affair of pure sonic assault. They played a long set (with two
encores, even!) and thanked the crowd. That said, it was incredibly
loud. My ears were ringing despite using my strongest ear plugs. Even
if they aren't as wild and exciting as they may have once been, I
think consistency and reliability have their merits, too. The show
ended up being a bit better than I was
hoping, and far better than I
feared it could be.
[The Jesus & Mary Chain with
Bernadette Denning.]
Scores:
Cold
Cave: B-
The
Jesus & Mary Chain: B+
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